Musicus Eclecticus

From Belgium With Love

2010-02-04T20:56:00.005Z

It's a long story, but earlier this week I was having a chat with a work colleague, and we got talking about famous Belgians. I won't bother explaining why this happened - it would only make the whole thing seem even weirder than it already does. Anyway - the point was that there aren't many of them. My friend suggested Hercule Poirot but we ruled him out by virtue of the fact he isn't a real person.

I then triumphantly pointed out that the bewilderingly brilliant Plastic Bertrand is Belgian and must surely count as a famous person. My friend then said he regarded "Ca Plane Pour Moi" as "one of the worst records ever made"! What?? I, naturally, corrected him. "Nonsense," I said, "It's an absolute classic."

And it damn well is. So there.

Download: Plastic Bertrand - Ca Plane Pour Moi

We've started with Belgium so let's run with it...

Back in the early 1990s I heard a track on the radio (Jo Whiley's show, I think) called "Not An Addict", by K's Choice. A while later I stumbled across the CD single of the very same song, in a record shop bargain bin. I bought it - I forget the price but I imagine it was a quid or so. Bargain? Oh yes. K's Choice are a Belgian band fronted by brother and sister Sarah and Gert Bettens. I use the present tense there, as I'm pleasantly surprised to see that the band still exists - in fact, they're releasing a new album (their 5th) and undertaking a European tour (click for dates) in 2010!

Anyway - back to "Not An Addict". Sarah Bettens has a luscious voice and this song is the perfect vehicle for it - the quiet/loud progression lets her alternately croon, and then let rip. Impressive stuff. Lyrically, the song does border on pomposity, but just about stays on the right side of self-righteous. Check it out - it's a little-known classic and you'll be all the richer for hearing it.

Download: K's Choice - Not An Addict

Our third track for today isn't by a Belgian artist at all (that's just the sort of whacky whimsy we like round these parts). That said, it does mention Belgium in the title (and, er, the lyrics) so that's just as good, isn't it? Yeah?

Cuff The Duke are in fact a Canadian band, hailing from Toronto. As far as I know they've got no connection with Belgium (outside of this song) at all, but as soon as I decided to do a Belgian-themed blog, I just couldn't get the song out of my head... so here it is, in all it's Strokes-y glory. And believe me, this IS a mighty, mighty behemoth of a song.

Download: Cuff The Duke - Belgium Or Peru

I reckon that'll do us for now. I hope you've enjoyed this brief sojourn to Belgium... and Canada. Perhaps we'll do it again sometime...

Don't forget - if you like the music, support the artists by BUYING their records. Cheers.

Artist links:

Plastic Bertrand
K's Choice
Cuff The Duke

Until next time...

In The Bleak Midwinter...

2010-01-10T14:33:00.005Z

Well... it's been snowing. As a result, the world as we know it has ceased to function and has, quite frankly, gone mad. We now have sporting events cancelled because the areas around the venues are "not safe". So what? Because we are now overrun with "no win, no fee" personal injury lawyers (or, as I like to call them, scum bastard parasites), your local plod are insisting we have to cancel football matches and the like in case some dumb idiot falls over and breaks something - and then sues someone. Because, of course, suing someone makes it all better! It's ridiculous.

Back in the day, nobody gave a shit about a bit of snow and ice. So you fell over from time to time - but so what? Worse things happen at sea. You get up, you dust yourself, you look slightly embarrassed - then you get on with life. What you DON'T do, is pick up the phone and ring your nearest ambulance-chaser to see how much cash you can make out of it.

It makes me a bit mad, you know.

So anyway. Snow. Kicking us off on our oh-so-predictable themed journey, is the criminally-underrated guitar genius Ace Frehley (he of Kiss fame, pictured). Taken from his eponymous debut solo album, released in 1978, this is "Snow Blind". If you're reading this and thinking, "What?! Kiss?! He's gone mad!" then please just trust me and give it a spin...

Download: Ace Frehley - Snow Blind

Want more snow? Thought so. Next up are former NME press-darlings JJ72 and their sublime single "Snow" (also from an eponymous debut album, as it goes). I remember buying the CD single of this, and then almost immediately going out to buy the album as well on the back of it, such was the bombastic appeal of it all. JJ72 should have been huge really, but if anything they suffered because of their wilful experimentation - whilst they always had one foot firmly in stadium territory, there was a hint of Sonic Youth-style whimsy about them, too. Had they succumbed to insipid balladry, then I'm sure they would have ruled the world, but as it was they saved us all the misery of such a move, and after two superb albums for the Lakota label, disbanded in 2006.

Download: JJ72 - Snow

Finally for today, we go whizzing back in time to the heady days of 1968, and a young group calling themselves Status Quo. Unjustly ridiculed these days for their reliance on 3-chord rock, the Quo's back catalogue (certainly prior to the departure of original bassist Alan Lancaster in 1985, after which their pop sensibilities sent them slightly awry) contains more genuine rock classics than you can shake a stick at. Here's one of them, from back when the Quo still flirted with psychedelia and none of them had yet bought any denim at all.

Download: Status Quo - Ice In The Sun

So then, that's it for our chilly triple-tracker... best of luck with struggling your way through the snow drifts - and remember, if all else fails, there's always litigation.

Band links/shops:

Ace Frehley
JJ72
Status Quo

It really is a New Year...

2010-01-02T11:29:00.004Z

Well, hello there! Welcome to the all new, relaunched Musicus Eclecticus! I've been toying with reviving this little blog for quite some time and now we are going into a brand new year, it seemed the right time to take the plunge and do it.

Since it IS a New Year - and may I take this opportunity to wish all a happy and prosperous one - I'm kicking off with the slightly predictable but still ace "New Years Day" by 2010 Glastonbury headliners U2. This is the version from the live LP "Under A Blood Red Sky". This might be an obvious choice but I think it is one of those tracks where you hear it and then immediately realise you'd forgotten how good it is...

Download: U2 - New Year's Day (live)

Now, January brings not only a New Year, but also the media circus that is the football transfer window. For my club - Hull City - this is likely to be about as exciting as watching Wayne Rooney trying to spell his own name, but for many fans all over the country, it will be a time for 24 hour Sky Sports News (with the execrable countdown thing they so adore) and much biting of fingernails. I'm pretty sure there aren't any songs about the transfer window (I sincerely hope not, anyway), but for football-related musicality, we need look no further than the legendary Half Man Half Biscuit.

Download: Half Man Half Biscuit - 1966 And All That

Continuing on a theme... that theme being not football, but Hull... up next is a track from one of Hull's most underrated bands, the sadly defunct Spacemaid. Spacemaid flirted with success in the early 90s when they made "Single Of The Week" on Mark Radcliffe's Radio 1 show. Sadly they never got much further than that but one listen to this track - the sublime "The Girl Who Sold The World" should leave nobody in any doubt that they deserved to be a hell of a lot bigger than they ever were.

Note - I ripped this track from the vinyl single, so apologies for any quality issues (I should say, it sounds great on my system, but I'm covering my arse).

Download: Spacemaid - The Girl Who Sold The World

Right, that's all for now folks! That said - these are three corking tracks to welcome you all back into the Musicus Eclecticus blogosphere. Come back for more, won't you?

Enjoy.

BAND LINKS:

U2
Half Man Half Biscuit
Spacemaid (fan site)

I Am The Resurrection

2009-12-27T21:41:00.002Z

Boo!

After much consideration, I have decided to bring Musicus Eclecticus back from the dead, just like Lazarus, but with MP3s.

Much water has passed under the bridge since last time we were here, over a year ago. For starters, I received an email from Blogger telling me that one of my posts had been reset to "Draft" status, which means you, dear reader, can't see it anymore. The reason for this is that I have apparently breached US copyright laws. Oops...

The offending post included links to 3 tracks, by New Model Army, Morrissey and Nick Cave/Shane MacGowan... but I have no idea which one of those links triggered the wrath of some Stateside spoilsport. Whatever, that post is staying gone, but there'll be new stuff forthcoming.

So what else has been happening over the past 12 months or so? The face of online music has changed again with the rise of Spotify and various other (inferior) imitators. I'm a massive fan of Spotify, and long may it continue. It's not a perfect system by any means (the "similar artists" process is fucking dreadful, for example) but it is a superb way to hear new music and build playlists. Thumbs up from us, without a doubt.

Also since last we spoke, Michael Jackson has gone off to the great playground in the sky, and may I just say, I honestly couldn't care less. I wonder if there will be such a nauseating outpouring of overblown emotion when Gary Glitter bites it? Somehow I doubt it. And for fuck's sake... for every "Billy Jean" there was an "Earth Song"... yeah... not such a fucking genius after all, eh?

Enough of all that. Rage Against The Machine are number one, and Musicus Eclecticus is back... what's not to smile about?

Note regarding old MP3 links... I have just spotted that Hotlinkfiles appears to be not working... so none of the old files on this blog will be downloadable. This also means the ones I was about to post won't work either. So, while I make alternative arrangements, here's a bit of (vaguely apt) YouTube music, just for now.

RIP Ronnie Drew - 1934-2008

2008-08-20T12:29:00.004+01:00

The music world lost one of its great characters and hugely influential performers with the death this week of the great Ronnie Drew, famed as front man of The Dubliners and inspiration to a raft of bands, most notably The Pogues.

Drew formed The Dubliners in 1962, originally as The Ronnie Drew Group. The band would go on to become one of the most popular and successful folk groups in history, notching up a number of UK hit singles - "Seven Drunken Nights" and "The Black Velvet Band" both reached the top twenty (in the days when the charts actually meant something), while "Maids When You're Young Never Wed An Old Man" scraped into the top 50. In 1987, the single "The Irish Rover", recorded with the Pogues, reached number 8 in the UK - and number 1 in Ireland, introducing a new generation of music fans to the delights of the Dubliner's recordings.

Drew left The Dubliners in 1974 but returned to the fold five years later. He would remain a Dubliner until 1995 when he again left the band, this time to launch a solo career.

Sadly, Ronnie Drew was diagnosed with throat cancer in 2006. Despite a two-year fight, he could not beat the illness and died aged 73 in St Vincent's Hospital, Dublin, on 16th August 2008. He leaves two children and five grandchildren.

A true legend of Irish music, Ronnie Drew will be sadly missed by friends, family and fans alike.

Celebrate some of Ronnie's finest moments with the selection of tracks below.

Download: The Dubliners - Seven Deadly Sins
Download: The Dubliners - A Pub With No Beer
Download: The Dubliners - Finnegan's Wake
Download: Ronnie Drew - The Dunes

Amazon links - buy Ronnie Drew or The Dubliners stuff!

Music, No Lyrics (#1)

2008-07-27T11:26:00.004+01:00

Welcome to another regular series on Musicus Eclecticus, “Music, No Lyrics”, in which we look at some great instrumental tracks. Now, despite this blog generally having no rules whatsoever, in this case I’ve applied some specific criteria. I’ve eliminated classical music and dance music, purely because it’s usually devoid of words anyway, so there’s nothing unusual there. Besides which, you don’t really want me to start posting Scooter tracks, do you? (If you do, you’re in the wrong place).

Much more interesting are those tracks that either shaped the development of the instrumental (as in the first example, below), or instrumentals recorded by bands who aren’t normally associated with such things (as in our other two examples).

First up, is the godfather of guitar instrumentals, Link Wray. Link Wray (pictured) is credited with inventing distortion, by punching holes in the fronts of his amplifiers. He is also thought to have invented the power chord, which isn’t a bad claim to fame when you think about it… A formative influence on the likes of The Who and Led Zeppelin, nobody does it better than Link Wray did it.

Originally recorded in 1958, “Rumble” is an all-time rock ‘n’ roll classic. Bizarrely, it led to Wray being dropped by his label at the time (Cadence), who stated that the record was “promoting teenage gang warfare”, after label boss Archie Bleyer’s daughter remarked that it reminded her of the fight scenes in West Side Story. You couldn’t make it up.

In case you missed it, "Rumble" also cropped up on the soundtrack to Tarantino's Pulp Fiction, cementing its place in popular culture all over again.

Link Wray died in 2005 in his adopted home of Denmark, leaving behind an enormous and hugely important body of work.

Download: Link Wray – Rumble

Jumping forward a mere 38 years, this next record, from Scotland’s Teenage Fanclub comes from their wondrous Bandwagonesque album. An odd album title, as the Fanclub could never be accused of jumping on anyone else’s bandwagon. This dreamy album (think The Beach Boys on crack) contains a gem of an instrumental, “Satan”, which at less than a minute and a half, is short and sweet for sure, but nevertheless stands as one of the album’s undoubted highlights.

Download: Teenage Fanclub – Satan

Now, whilst it may be distinctly uncool to profess a liking for Metallica, frankly I don’t care. I grew up on a diet of Ride The Lightning and Master Of Puppets and I’ve never quite shaken the habit. Christ, I even bought St Anger.

Master Of Puppets is the album we’re dipping into here, for the epic “Orion” instrumental. Always a poignant track for diehard Metallica fans – it contains some of the late Cliff Burton’s finest ever bass playing – it builds through its eight minutes from a quiet(ish), chugging intro, through to a heavy, heavy finale.

Whatever your thoughts on Metallica, there is no denying the fact that they have been often imitated but never, ever bettered – and this track is just one of many examples which emphatically prove the point.

Download: Metallica – Orion

Well… what are you waiting for?

Enjoy!

Great Songs By Shit Bands (#1)

2008-07-09T21:16:00.009+01:00

It may not have escaped your attention that there are literally thousands of bands out there in the world who can justifiably be described as "shit". Some reach utterly inexplicable heights of success due to what one can only presume is abject stupidity on the part of the record-buying public (step forward, My Chemical Romance), without even looking like writing anything that could be loosely classed as listenable. Some, on the other hand, slog away producing turd after turd, and then, sometimes - they release a track of such brilliance it's hard to believe they were so crap in the first place. This, the first of what will be a regular series, focuses on those moments of wonder which were recorded by bands who should at any other time just be tortured to death to save us the misery of having to listen to any more of their deluded nonsense.

First up is the very track that made me think of running this series in the first place. The not-so-mighty Feeder shot to fame in 2001 with the astonishingly inept "Buck Rogers" single (complete with such lyrics as "Drink cider from a lemon-lemon-lemon-lemon" - or something). Risible as that song was (and still is), it sold by the hatful. To who, I know not - hopefully nobody I've ever met though. Four years earlier though, they released a rather better album by the name of Polythene which included one track, "Suffocate", which is a thing of pure beauty. Four-and-a-half-minutes of sweeping emotion, it remains an utter enigma - how did it come from the same band? How? Listen, and judge for yourself...

Download: Feeder - Suffocate

Now then, if you thought "Buck Rogers" was fucking irritating, then you'll bite your own fingers off at the gruesome memory of "You're Gorgeous" by Babybird. On the back of Britpop, even my arse could have had a Top Ten hit (had it only been able to pick up a guitar) and as a result of this, even the word "gorgeous" suddenly seemed appropriate for use in a mainstream indie hit. Fact - it isn't. It sounds shit. Babybird fans will try and tell you that the whole thing was desperately ironic, but poke them in the eye and say "NO!". Ironic it was not - utter bollocks it most certainly was.

Thankfully Stephen Jones (the one-man Babybird - pictured) did redeem himself a couple of years later with this next track, "Take Me Back" which bore absolutely no resemblance to gorgeousness whatsoever. Instead, it's a dark and disturbing six minutes of songwriting genius which I never tire of hearing. And now it's your turn.

Download: Babybird - Take Me Back

This last one (for now) is a bit of a cheat. I don't really think Stereophonics have always been a shit band, as such. In fact, their first two albums (Word Gets Around and Performance And Cocktails) aren't far short of indie-rock classics. HOWEVER. That was a big however. Following those two near-flawless albums, something happened (in a kind of a Be Here Now sort of a way) and Stereophonics became, overnight, The Worst Band On The Planet. Was it Kelly Jones' nauseating ego that did it? His hairdresser? Or did they just "do a Noel" and think you could fart out any old garbage and still go platinum? Whatever it was, they've never recovered. By way of a reminder that even shit bands might once have been fucking awesome, here is the 'Phonics ode to a departed friend, Local Boy In The Photograph, from their 1997 debut. It's got heart, and big bollocks - something sadly lacking from their later work.

Download: Stereophonics - Local Boy In The Photograph

That's it for now. Sorry for the big gap - back sooner next time.

Enjoy...

More Poetic Justice

2008-04-29T19:53:00.007+01:00

Following on from the last post, I'd like to say firstly that the gig was a massive success. I had a blast. I thought it might be nice to follow it up with some poetry. Not the boring, shite kind, obviously - the rousing, inventive, ballsy kind.

I hold no truck with dull, "trees and flowers", poetry. I like the political, the provocative, and the powerful. That throwaway, pretty stuff is fine for those who like that sort of thing (and respect to them for it) but for me... no.

The first poem I ever learnt to recite, some years ago now, was "Kung Fu International" by the great John Cooper Clarke (pictured left). The Salford Bard opened my eyes to something I had never heard or seen before - poetry could be sex, drugs, rock n roll and everything in between. I can still recite that poem, from start to finish, flawlessly, whether sober or drunk. I can do "I Married A Monster From Outer Space" as well.

Great as these poems are, for my mind JCC's finest moment is one of his most infamous. I refer to the poem "Twat" (which Clarke used to dedicate to Michael Heseltine, back in the day). The number of lines, in this single piece of poetry, which are approaching sheer genius are quite staggering. Listen - even if you think you don't like poetry - and be amazed.

Download: John Cooper Clarke - Twat

Another favourite of mine is that evergreen curmudgeon, Attila The Stockbroker. Seeing the man live - I've had the pleasure several times - is a lesson in how to do it. His delivery, polished over nearly thirty years, is second to none. I could have chosen any number of tracks to post on here but the one I've gone for is "Asylum Seeking Daleks", partly because I am so heartily in agreement of its cynicism towards the gutter press, who are almost entirely responsible for the moral panic created around the myth of the (gasp) "asylum seeker" - in the mind of the Daily Mail's readership, an asylum seeker is not someone who has escaped terrible hardship, torture or certain death, but a knife-wielding drug dealer with a sun tan who just likes the idea of an extended holiday in a Dover detention centre. Anyway, I'll let Attila fill in the details...

Download: Attila The Stockbroker - Asylum Seeking Daleks

From the quintessentially English poetry of John Cooper Clarke and Attila The Stockbroker, I move to a different camp completely.

The African-American collective The Last Poets fused poetry with hip-hop and politics - tellingly, the band was officially formed on Malcolm X's birthday. The Poets were undoubtedly ahead of their time - their first album was released in 1970 and covered many topics that the likes of Public Enemy would turn into mainstream rap only many years later. That debut (self titled) LP remains a landmark in the history of black music, seen by many as almost prophetic.

Here are the Last Poets at their brilliant best.

Download: The Last Poets - The Last Nigger Left

That, then, is poetry.

...Enjoy!

Shameless Self Promotion (part 1)

2008-04-18T21:57:00.008+01:00

A date for your diaries folks. Next Thursday (April 24th) I'll be doing a short poetry set at the Adelphi, Hull. There'l be allsorts of other goings-on including music from Stickpin and the utterly brilliant CrackTown.

This means nothing to many of our readers. We keep an eye on where you're all from and we know that, for reasons unknown, a large portion of our readership comes from Spain and Germany. I have no idea why this would be - but if you happen to live in, say, another country, then please don't feel you have to come to the gig. It'd be kind of you but probably a little disconcerting as well. (Incidentally, there's a post coming soon just for you Spanish and German readers - a sort of "thank you" to you for being so loyal - keep your eyes peeled for it).

Say, here's a bit of CrackTown ("music for dog fights") just for the Hell of it.

Download: CrackTown - Leavin' Las Vegas

Ill Communication... Well, Not Anymore...

2008-04-16T20:24:00.012+01:00

Well, would you Adam-and-Eve it? After I posted that last "I'M BACK!" message, what should happen? I got flu. I don't mean "Man Flu"... I mean the proper sort, where you can't get out of bed and your body gets possessed by pain-demons. It was, it's fair to say, a bloody awful week or so.

I did feel a proper Charlie as well - I promised MP3s, but then I immediately disappeared again. But now you know the reason. So sorry.

Now, I am definitely back, and no longer infected with anything nasty, so here we go with some long-awaited musicalityness. First up is this charming track from Andy Irvine, veteran of such Irish stalwarts as Sweeney's Men and Planxty. "Never Tire Of The Road" is from 1991's Rude Awakening album.

Download: Andy Irvine - Never Tire Of The Road

Going off on a tangent, for no particular reason really, our second track is the brilliantly titled "My Mother Smokes Crack Rocks" by the late Wesley Willis (pictured above). Let's not beat about the bush here - Willis was bona fide Looney Tunes, apparently fond of greeting friends with a resounding headbutt. He claimed to make music in order to drown out the voices in his head. Despite little actual talent, his music had a certain charm, and attracted a host of high-profile fans. Chief among them was Jello Biafra, erstwhile frontman with the Dead Kennedys. Biafra took it upon himself to get Willis's music heard by a wider audience and subsequently released much of the big man's back catalogue on the Kennedys' Alternative Tentacles label. It takes more than one listen to "get" this Casio-driven slice of madness - but it's worth persisting.

Download: Wesley Willis - My Mother Smokes Crack Rocks

From one eccentric to another, this time one who remains alive and well - and the world is a better place for it. Wayne County is unique, having been an integral part of both the US New Wave scene and the British punk explosion of 1977 (having already become Jayne County, she was living and performing in the UK by that time). County's own music seems to have been relegated to footnote status in the story of her gender issues - yet this is criminal, as, with the Electric Chairs (as her backing band was known), County produced some genuinely great punk moments which deserve better than to be forgotten. Here is the track which could just be her signature - "Man Enough To Be A Woman". There's clearly a big New York Dolls influence on this particular track. Download it and give it a spin. It's a lost classic.

Download: Wayne County & The Electric Chairs - Man Enough To Be A Woman

That's all for today. A bit of a mixed bag but it's nice to be back in business and I thought that was best celebrated with some genuine eclecticism - that, after all, is the name o' the game.

Next post, methinks, will be the first of one of our new regular themed posts. I haven't decided which one yet. Do try to contain your excitement. In the meantime, enjoy the music from this post - catch you soon. Enjoy.

Guess who's back!

2008-04-01T20:27:00.003+01:00

Greetings one and all! Your intrepid editor is finally back on the Interweb, on a proper computer an' all!

It's been a long ride, reversing the effects of last year's floods which slightly damaged our house (not much, but enough for several weeks worth of decorating, plastering and general arsing about). The computer has been reduced to its component parts, stashed upstairs and rendered too much hassle to use. Plus, living in one room only tends not to leave much space for large desktop PC systems.

Still, today all the furniture came back in (atop spiffing new carpets), and as a matter of priority yours truly set about connecting up the various bits of computer and hi-fi equipment without delay. Bloody marvellous. For the last couple of months the only music I've had has been (a) listening to last.fm on my work laptop, which was great but for the tinny laptop speaker, which makes everything sound like it was recorded on wax cylinder, and (b) listening to old cassettes which were the only things I could lay my hands on in the house while I was decorating. This in itself was actually quite cool as I found some gems I forgot I even owned. There was the Sultans Of Ping FC album, Casual Sex In The Cineplex, which I listened to twice, back to back, whilst painting a ceiling. Great album. There was also a notable mix tape - "Bits N Bobs" made by my good buddy Johnny Murder. On said tape were such luminaries as Bob Dylan, Richie Havens and Tom Petty. Though the less said about the Neil Young cover version (ever heard Sheryl Crow murdering "Heart Of Gold"? It sucks.) the better...

Anyway, I digress. This hallowed blog is now well and truly back in black, and although there aren't any MP3s to accompany this particular post (I'm knackered kids... it's been a busy one...), here's a little something to keep you going til next time...

This isn't even a video as such but it's the track which inspired the title of this blog so I'm running with it. It's "Guess Who's Back" by House Of Pain. Okay, okay, I know I'm copping out here a bit and being lazy, but come on, I've been working hard and I'm running on empty here. Besides, this is a great tune and you can't beat a bit of old skool, can you?

There'll be plentiful MP3 downloads on the next post, and I can also reveal that some regular themed posts will be starting soon, including "Great Songs By Shit Bands" and "They Always Play Love Songs". Naturally they'll all be supporting the Musicus Eclecticus ethos of "if it's alternative, and good, it's in".

See you very soon... and enjoy this...

Temporary inability to post...

2008-03-10T17:37:00.002Z

Hey ho, just a quick note to apologise for my absence lately. The blog is NOT defunct, but unfortunately my house is a building site at the moment, meaning everything - including my computer - is out of action. Obviously I'm on someone else's at the mo...

Rest assured this should be sorted out soon (the wallpaper's looking lovely I must say) and we'll be back with a bang, a fanfare, and lots of rather good music.

See ya soon,
Love n hugs,
Musicus Eclecticus

Whipping Boy - Heartworm

2008-02-17T14:07:00.009Z

Every now and again you stumble upon an album so astonishing in its brilliance, that you assume it must have sold by the truckload and somehow just passed you by. Sadly of course, this is often not the case. Music's illustrious history is liberally scattered with great albums which just didn't make it out into the wider consciousness, for one reason or another, and sometimes it just makes no sense.

Sometimes an album simply has the misfortune to be released at the wrong time. Such is the case with Heartworm, the second album from Irish indie-rockers Whipping Boy. Their debut effort, the long-deleted Submarine, could scarcely have sold fewer copies had they not released it at all. It offered nothing to suggest that Whipping Boy would be anything other than tiny fish in the crowded indie pond.

However, then came the startling, dark and emotional (not to mention briefly controversial) sophomore album that was Heartworm. Released in 1995, it was perhaps just a couple of years ahead of its time. Certainly, you only need to get halfway through opening track (and first single) "Twinkle" to see where Snow Patrol got their ideas from. Had this album come out in 1997 or 1998 (or perhaps later), it's not inconceivable that Whipping Boy would have been huge stars by now, and Snow Patrol would be dismissed as mere copyists.

It is perhaps unfair to labour the Snow Patrol comparisons. Whipping Boy's output is far darker in tone than Snow Patrol, not least on "We Don't Need Nobody Else", an almost spoken-word piece which delves into the dark heart of domestic violence. Lyrics like "I hit you for the first time today" (a chillingly-worded line if ever there was one) and "That really hurt, you said / Yeah / And you thought you knew me" led to misguided accusations of misogyny (presumably from critics who hadn't actually listened to the song). This is one of those rare songs that can send a shiver down the spine.

Both of those songs are included for download below, alongside "Users", another songwriting masterclass ("Remember how not long ago, we screwed away the pain").

Grab them all, and listen carefully. This lot really were as good as I say they were.

Download: Whipping Boy - Twinkle
Download: Whipping Boy - We Don't Need Nobody Else
Download: Whipping Boy - Users

There is an official website for Whipping Boy here but it doesn't appear to have been updated for a while - still worth a look though.

Most importantly, you can buy Heartworm here at Amazon UK (and it's pretty cheap too!) or at HMV (also cheap!) or wherever else you prefer to shop!

That's all for now, folks...

Cover Lay Down

2008-02-03T11:27:00.001Z

Occasionally I stumble on another MP3 blog which is so astoundingly good that I want to tell everyone about it. Can you see where I'm heading here?

Last night I happened to find the truly excellent Cover Lay Down blog. This US-based site showcases, "Folk covers of familiar songs" and "Reimagined versions of folk song". Now, this is so far up my street it's virtually living in my back bedroom. I have an unhealthy level of interest in cover versions and as regular readers will know, I'm an unashamed folky to boot. Have a look at Cover Lay Down - it's a fantastic site with some great tracks to listen to.

Inspired as I am by that swanky blog, I thought a nice way to accompany this hefty plug would be to post a couple of cover versions myself (that's not cheating, is it?).

First up is Christy Moore covering Woody Guthrie's The Ludlow Massacre. This emotive song tells the story of the 1914 Ludlow Coal Massacre, at which the Colorado National Guard attacked a colony of striking miners and their families, killing 25 people - including 12 children. A cheery story it may not be, but it's a startling song and needs to be heard. Also worth looking up is Ramblin' Jack Elliott's version (and Guthrie's original, of course). Christy's version comes from his first solo album, 1972's "Prosperous".

Download: Christy Moore - The Ludlow Massacre

Whilst trawling through the Cover Lay Down archives yesterday, I came across Patti Smith and her sublime version of Nirvana's Smells Like Teen Spirit. That reminded me of another excellent version of the same song.

In 1992, Tori Amos released the 5-track EP, "Crucify". Three of the five tracks are cover versions (Led Zeppelin and the Rolling Stones are the other two). As a whole, it's a fine record, but the standout track is easily Smells Like Teen Spirit, wherein Kurt Cobain's grunge megalith is transformed into a stark piano/voice ballad. It might not be genius, but it's not far off...

Download: Tori Amos - Smells Like Teen Spirit

Finally for today, here's a slice of classic psychedelia from 1968. This is Deep Purple, from their very first album "Shades Of Deep Purple". Those unfamiliar with the Purple's first two albums may be surprised at the sound - it would be a while before they evolved into the rock behemoths behind Smoke On The Water and Black Night. Anyway, here they are doing a song by some band called The Beatles.

Download: Deep Purple - Help!

That's all for now, folks. Catch you again soon.

Artist web links:

Christy Moore
Tori Amos
Deep Purple

Bury Me Under The Weeping Willow

2008-01-12T15:23:00.000Z

Some 80-odd years ago, A.P. Carter (or to give him his rather flamboyant - though rarely used - full name, Alvin Pleasant Delaney Carter) penned "Bury Me Under The Weeping Willow". It is doubtful that he would have had even the slightest inkling that this song (and many of his other compositions) would become a folk standard. Yet, here we are today and it remains an extremely famous folk song, recorded by just about every man and his dog. Actually, in all fairness, I am not sure whether or not any dogs have ever recorded the song, but certainly quite a few human beings have. I may have made up the bit about the dog.

Anyway, I'm rambling, and I'm not dressed for it, so here we go. Here is the original version of the track, recorded by The Carter Family back in 1920-something.

Download: The Carter Family - Bury Me Under The Weeping Willow

In 2003, Natalie Merchant released "The House Carpenter's Daughter", an astonishing collection of folk songs (traditional and contemporary) delivered beautifully, with that voice allowed to shine. It's a magnificent album, with some moments of genuine brilliance and not a single second of filler. It's THAT good.

A polished version of "Bury Me Under The Weeping Willow" is one of the album's (many) highlights. Radically different to the Carter Family sound, it introduces some wonderful bluegrass fiddle into the mix and the result is a rollicking good listen.

Download: Natalie Merchant - Bury Me Under The Weeping Willow

Enjoy!

Sonic Dick Verucas!

2008-01-04T23:54:00.000Z

Hello again, and here we are with the first batch of MP3s for the New Year. Yeah, it's 2008! Since the last post I've been music shopping again, and the latest Amazon delivery (when it gets here) will have some spiffing CDs by Sonic Youth (who I've long had a love affair with), Whipping Boy and most excitingly, a trip back in time with baggy demigods Flowered Up (the "Best Of", which has been on my Wants List for some time now).

All things considered (well, maybe not all things, but certainly the last paragraph for starters...) your first track for today would be the mighty Sonic Youth (pictured). Lifted from their "Dirty" album (their second for Geffen), this was a minor hit, and as such I really should've come up with something a little more inventive. But hey, this is a bit of a classic, so why not...

Download: Sonic Youth - 100%

Continuing in a similar alt.rock vein (and with an equally brilliant song), here's a track which I used to hear week in and week out when I worked in a certain nightclub in these parts. That nightclub was called "Spiders" and it was quite a significant part of my life (sadly, it's shit now, but that's the way it goes). There were a few tracks which used to get spun all the time. Some I loved, some I hated. This was one of the ones I loved, a forgotten gem from Veruca Salt.

Download: Veruca Salt - Seether

And finally (for now), as it's a New Year, let's make a wish. My wish - peace and love, etcetera. Best illustrated I feel, with some mid-80s U.S. hardcore, in the shape of the rather brilliant (and shockingly unknown) Dicks. This is the seminal "No Fuckin' War", and as an anthem to a new beginning, ain't half bad.

Download: Dicks - No Fuckin' War

Okaaaaaaaaaaay then. It's 2008.

Some heavy stuff here - next time I think we'll turn the volume down a bit and go for something a little more chilled... hmmm... what will it be...

Happy New Year!

2008-01-02T22:50:00.000Z

Greetings one and all, and welcome back to Musicus Eclecticus.

Sadly as it's been holiday season we have not had time to update the blog, preferring instead to spend most of Christmas and the New Year drinking alcohol until blood seeped from our every orifice. No, of course not. That only happened the once. And it wasn't really blood, but rather some strange form of other-worldly ectoplasm normally only emitted by certain extraterrestrial lifeforms. Or was it all just a dream? Who knows?

On a musical tip, we did find time to see The Pogues and Billy Bragg live in Manchester, met three Pogues and one Bragg, and also (in a separate incident) somehow managed to agree to see Jack Penate sometime in February, which will probably involve being surrounded by nubile young students making this writer feel very old indeed. Ah... the things you do for love.

Through Christmas, onto our Welcome mat dropped CDs from Robert Plant & Alison Krauss, Donovan, Gil Scott-Heron, JJ72 and The Carter Family, among others... as well as some nice shiny vinyl from the rather brill Reverend & The Makers.

Check back in a day or two for some nice MP3s for you to download. As they'll be the first of the year, we'll make 'em good ones.

Catch yez later.

House Of Love - Shine On

2007-12-09T15:35:00.000Z

A bit of visual loveliness for you today, with (gasp) a music video instead of the usual MP3. I just thought it would make a nice change. Back to MP3s for the next one, probably.

Here, then (care of YouTube), is one of my all-time favourite tracks by one of my all-time favourite bands, the criminally-underrated House Of Love. The track, their finest hour, is "Shine On", a classic single from the golden age of jangly indie kids. They just don't make 'em like this anymore...

Love Music Hate Racism

2007-12-06T21:49:00.001Z

No MP3s today kiddiwinks... just this advert which fell into my Inbox today. Free gig in the afternoon, cheap gig on the evening. Course, it helps if you live in Hull. But I do, so that's a result, eh?

Folk n stuff

2007-11-13T19:18:00.000Z

I promised after the last post that the next one (that's this one, yes?) would be a bumper post. And, since it's been an eternity since I last posted, so it shall be. Three tracks up today, not exactly linked as such, but I'm in a folky mood so here are some folky songs.

First up, is Odetta (pictured) with her sublime reading of "Gallows Pole". It always amazes me that when talk turns to the origins of modern folk, Odetta never makes it into the same paragraphs as the likes of Dylan and Pete Seeger. Her part in the genesis of US folk is undeniable, yet eternally underplayed. Listen to this track, and you'll see exactly what I mean.

Download: Odetta - Gallows Pole

Whilst we're on a folk trip, the second of the three tracks I'm posting today, is perhaps by an unlikely outfit. The name Chumbawamba usually conjures a painful grimace and memories of THAT song but their recent rebirth as Chumbawamba Acoustic has seen them garner critical acclaim as a slimmed-down four piece folk band. I've seen them live twice in the last couple of years, and they are far, far better than you might imagine. Their last studio album, 2006's "A Singsong And A Scrap", is a veritable masterpiece, and our second track today is taken from that. It's best explained by the introduction the band themselves gave it when I saw them in 2006 - "It's a bit like Onward Christian Soldiers, but with irony!".

Download: Chumbawamba - Walking Into Battle With The Lord

Last, but certainly not least, we're carrying on the a capella theme started with the Chumbawamba track. Here's a piece of brilliance from the mighty Billy Bragg, who I'm seeing live next month as well, so it's nicely appropriate. This is "Tender Comrade" from his superlative "Workers Playtime" album. For no real reason other than I think it's ace.

Download: Billy Bragg - Tender Comrade

As always... enjoy.

Record Of The Year - Ian Brown

2007-10-16T22:19:00.000+01:00

Sadly this is only going to be a fairly short post, and given the gap since the last one, that's really a bit slack of me - but next time it'll be a bumper one... scout's honour...

Anyhoo, there may not be much in the way of sparkling editorial on this one, but I've made up for it with the music - here, in all its glory, is nothing less than the best record to be released this year, bar none.

It's Ian Brown's "Illegal Attacks", a not-at-all-veiled assault on UK and US foreign policy. Unusual lyrical territory for the Monkey Man perhaps, but you wouldn't think so. He doesn't hold back, and in this - possibly his finest hour since going solo - he's absolutely nailed a brilliant, fiery, orchestral hip-hop blast. Sinead O'Connor makes a guest appearance on backing vocals, which is never a bad thing.

Just listen to it, then listen to it again. You'll need to turn it up loud.

Download: Ian Brown - Illegal Attacks (feat. Sinead O'Connor)

If you like the track - buy the single from Amazon UK or from HMV or anywhere else you fancy.

Carry Me Ohio

2007-10-01T20:11:00.000+01:00

Sometimes you just want to switch on the stereo, stick a good tune on, and lay back and enjoy it. One of my absolute favourite tracks at the moment is the one I'm posting here, "Carry Me Ohio" by Sun Kil Moon. I heard this a while back and I'm still playing it regularly - there's something about it, I don't what it is... but what a song. Sun Kil Moon is the brainchild of Mark Kozelek, formerly head of The Red House Painters. "Carry Me Ohio" comes from the Ghosts Of The Great Highway album, a masterpiece of Americana, an eclectic affair which touches on alt.country, lo-fi rock, straight ahead riffage, and God-knows-what-else in between (it's even got a song called "Glen Tipton", about the Judas Priest guitarist of the same name - and I didn't make that up). "Carry Me Ohio" is the highlight of the album however, and by some way too. This is not a criticism of the rest of the album - merely an affirmation of just how good this track is.

All this talk of Ohio has only served to remind me of another great song, Neil Young's legendary track of the same name. So, what the hell, I've posted that too. This is the recently released version from the Live At Massey Hall album, originally recorded in 1971. Call it a bonus track if you like.

Download: Sun Kil Moon - Carry Me Ohio
Download: Neil Young - Ohio (Live At Massey Hall, 1971)

Covering The Clash

2007-09-24T19:57:00.000+01:00

Two covers for you here, both with much in common. Both, for a start, are songs written by The Clash. And both sound nothing like the original versions, but this is no bad thing in either case.

First up is bloggers' favourite Jesse Malin, and his superb version of London Calling's "Death Or Glory". Malin transforms the song into a heartbreaking piano ballad, surely far-removed from what Messrs Strummer and Jones had in mind when they wrote the song nigh-on twenty years ago. Still, you can't help feeling that they would approve of this excellent interpretation.

The second track is from British singer/songwriter Adam Masterson (pictured). Currently residing in New York, and apparently without a record deal since 2003, this track popped up a couple of years back on a free CD I got with a music magazine. It was one of those hidden gems you always seem to find on freebie CDs. The guy's got talent, clearly, and his acoustic(ish) reading of "Gates Of The West" (originally from 1979's The Cost Of Living EP) is something of a firecracker.

Enjoy.

Jesse Malin - Death Or Glory

Adam Masterson - Gates Of The West

Spencer Bohren - Southern Slidin' Blues

2007-09-13T23:02:00.000+01:00

Spencer Bohren is a blues/folk guitarist and singer from New Orleans, USA. I saw him live at Beverley Folk Festival in 2006, and though it seems like ages ago (primarily because it was), I can remember the gig clearly. Bohren is a master of the lap steel guitar, and in an intimate venue (such as it was), to see someone play this quaint ol' instrument with such virtuosity, is awe-inspiring.

Bohren has a hefty back catalogue, which made it all the harder to decide which one of his CDs to purchase from the merchandise guy after the gig. On being told, "this one's got loads of slide guitar", I plumped for 2004's "Southern Cross", released on the German label Valve Records

Although the quality of the recording is not always what it could be (a peril of recording for minor German record labels perhaps?), the music is impeccable. Most of the tracks are cover versions, though the few originals are equal in quality to tracks by the likes of Hank Williams (represented twice, with "I'm So Lonesome I Could Cry" and album closer "Lost Highway") and Curtis Mayfield.

It's impossible to describe in words just how good this guy is, so here are a couple of tracks for your listening pleasure, which should illustrate my point rather well. First up is Bohren's take on the Curtis Mayfield classic, "People Get Ready", transformed from soul masterpiece to slide-driven Americana - a beautiful reinterpretation of a legendary track. Secondly, we've got the age-old gospel song, "Workin' On A Building", which is just great, even to a Godless heathen like me. Enjoy.

Spencer Bohren - People Get Ready

Spencer Bohren - Workin' On A Building

Back with The Pogues

2007-09-01T22:21:00.000+01:00

Firstly, my apologies for the lack of posts lately. I've been on holiday and whatnot, primarily, and also been busy decorating (am I boring you yet?), so I have EXCUSES, see - proper ones and everything.

Anyways, I'm back.

Whilst I've been away, my favourite ever band The Pogues have announced that they will indeed be doing another Xmas tour this year - despite saying earlier this year that they wouldn't be doing it this time. Hurrah! They changed their minds!

As something of a Pogues obsessive (I'm really not exaggerating), this comes as sound news to me. I've been to the last three Xmas gigs at Manchester MEN Arena and loved them all, so the opportunity to see them again is quite simply too tempting to resist. That said, I did initially think, "I won't go this year... this is getting out of hand". But then I discovered that the support act for Manchester (only) is none other than the maestro himself - Billy Bragg!!! So hey, what the hell, looks like I'll have to go again. Tough life, eh.

Which leads me to the download for this post. This is a rare-as-rocking-horse-shit recording of The Pogues, live in Japan in 1988, performing a cover of "Japan" by jazz looney Pharaoh Sanders. This was the only tour on which they EVER played this song, and no studio version exists, not even as a bootleg (I have had this confirmed by Phil Chevron from the band - the track was only rehearsed on the afternoon of the gig, and then played "blind" that night).

Here it is in all its glory - it was broadcast on Japanese TV, along with the rest of the gig, so the sound quality is damn good, as you would expect. Check out Shane's vocal - priceless!

The Pogues - Japan (Live in Tokyo, October 1988)

There you go... how's that for a return to form? Enjoy.

Squeeze: East Side Story

2007-07-15T21:28:00.000+01:00

I bought this record today for the princely sum of 50 pence, from a charity shop in a small Lancashire village by the name of Ramsbottom (don't ask...) - I picked up a few other records too, but we might get to those another day...

But anyhoo, 50p for a fine album such as this one is the bargain of the day by my reckoning.

"East Side Story" was released in 1981 (and co-produced by a certain Elvis Costello, no less) and as Squeeze albums go, it's one of the best. Opening track "In Quintessence" is a corker, and the quality remains high throughout - 14 tracks, all excellent - this is what pop music should sound like.

Here's one of the album's highlights for your listening pleasure:

Squeeze - Is That Love

Buy the CD (cheap!) from Amazon UK

David Rovics

2007-07-09T21:54:00.000+01:00

I've been telling everyone I meet about this guy for ages. David Rovics is a singer/songwriter currently residing in Massachusetts, USA. His songs are in the tradition of the great protest singers - though to write him off as merely a "political" performer would be to do him something of a disservice. That said, he is a tireless political campaigner, and this does shine through in a large part of his substantial back catalogue. In particular, he does often focus on the Israel-Palestine situation, and, not surprisingly, the evils of the George W Bush regime.

Most refreshing about Rovics is his attitude to marketing his music. No need to worry about distributing his music on the Internet - he's done it for you. His entire back catalogue can be downloaded for free, via the Soundclick website (link below) - though, I would urge you to pay your money and buy the records, if you can (available from the artist's own website, or via Amazon or wherever else you usually buy your CDs). If this guy is prepared to give his music away, we should be prepared to pay for it. After all, this isn't Metallica we're talking about here...

I had the privilege of interviewing David Rovics earlier this year (by phone), and I'd like to add, not only is he a supremely talented musician, he's a genuinely nice, friendly guy.

Regardless of anything else, the music is brilliant, and deserves to be heard.

I recommend these tracks for starters:

David Rovics - Halliburton Boardroom Massacre
David Rovics - Waiting For The Fall
David Rovics - Falluja
David Rovics - Operation Iraqi Liberation
David Rovics - Moron
David Rovics - Palestine
David Rovics - Reichstag Fire
David Rovics - Saint Patrick Battalion

God I was getting carried away there...!

Anyway, here's the link to the Soundclick pages with the rest of the songs on (there are three pages of them... and not one song less than fabulous)...

David Rovics on Soundclick

If you like what you hear, PLEASE go and buy the CDs!

Oh, and check out David's official website (and remember to click the "Buy Stuff" button! Got that?)

Pauline Scanlon

2007-07-08T11:55:00.000+01:00

I saw Pauline Scanlon at Glastonbury 2007 (twice, actually). First time was in the Acoustic Tent, the second in the rather more intimate Small Worlds Stage up in the Green Fields. Both performances were superb and I must admit, I'd never heard of this girl before - but she's in possession of a beautiful, enchanting voice and surely, great things must beckon for her.

Her new album, "Hush" is out now on Compass Records and can be purchased from our chums at Amazon, amongst other places (link below).

Here are a few tracks from Pauline's first album "Red Colour Sun" - listen to them all, this instant. Then go out and support Pauline by buying her albums. Please.

Pauline Scanlon - Sally, Free And Easy - Download
Pauline Scanlon - What Put The Blood - Download
Pauline Scanlon - And I Love You So - Download

Buy "Hush" from Amazon

Welcome aboard

2007-07-08T11:45:00.001+01:00

Howdy folks.

Welcome one and all to this new music blog - Musicus Eclecticus. I've been a huge fan of MP3 blogs for quite some time, and I've discovered an absolute shedload of music I might otherwise never have heard. I've been thinking for a while that I should jump on the bandwagon and share some cool music with all you blog readers out there. So here it is - Musicus Eclecticus.

Posting may not be as frequent as other blogs - I'm a busy man, kids - but I'll aim for quality rather than quantity. There'll be MP3's, bootleg stuff, obscure rarities, wacky cover versions (I've a thing for covers), and allsorts of musical magic. The policy, as you may have guessed from the title of the blog, is... "flexible", shall we say? Expect folk, indie, blues, obscure old stuff... anything alternative and worth hearing, basically. The playlists may/will be influenced by my current listening habits, but I figure that's pretty much unavoidable.

Besides, I have impeccable taste so there should be no complaints, heh heh heh.

The Usual Note To Artists & Their Rep's: If you would like me to remove anything from this site, please ask politely and your request will be met as soon as possible.

More of the same: If you like the music publicised on this site, go out and buy the records, please!

First proper post coming up soon...